Showing posts with label Athens. Show all posts
Showing posts with label Athens. Show all posts

Wednesday, 12 February 2014

A Cool Saturday in Athens ((1995) (Poetic Prose))

I must have asked a dozen times in my lifetime, others "What's the real meaning of life; what is happiness," and I didn't really want a strict religious answer, nor a strict, secular answer, just one from the heart, if you know what I mean, no philosophical jargon, or Shakespearean Sonnets to explain the simplicity I was looking for.
To be quite honest and frank, I never got a good answer. Matter of fact, what I got was folks thinking I was quizzing them, or presenting them with a trick question, surely a hard question because no one could really answer it to my liking. When in essence, it was straight forward, as straight and forward as anyone could get, or make it. For the most part the question was avoided with smirks, and smiles, and pats on the back, and then back to whatever the conversation was prior to my little jaunt, as it was accepted as.
But this all came to focus one day when I was in Athens, Greece. It was a Saturday, a cool day, in 1995.
I walked down to an old park area, lots of high foliage, weeds and grass, and open spaces, and high burly and bushy trees, also in the distance, was an old ruin's, a kind of Parthenon style of ruin's, dating to about 400 B.C., high pillars and all, Corinthian style, it was constructed for the legendary Theseus, so I was told, which Mary Renault in her two books so heroically, with attention to detail, describes: "The King Must Die," and "The Bull from the Sea."
As I looked about, realizing it was about lunch time, I saw several small groups, they looked like little packs of individuals, some Jews, some Greeks, some Turks-I suppose if we sorted out religions here, we had a sort of triangle, the Hebrews, Muslims, and Christians. Not that it mattered it was just so. A few made the sign of the cross, a few put their hands and palms up towards the heavens, a few were counting beads, then they pulled out bread and sausage and some cheeses from their baskets, and passed a bottle of wine around. A few had bottles of beer, and one person was playing something like the mandolin, while a few toddlers tried to dance.
They were all sitting around in circles, for the most part.
Far-off, there were a group of women, in a circle, with a woman in the middle of the circle, and everyone holding their skirts high and low, so you could not see what was going on, and no one needed to know beyond that.
There were old men, young women, kids, just a good assortment of the cross-cultural populist: eating, drinking, dancing, breathing in the cool and fresh air-a few steps away from the busy carbon dioxide streets of Athens, talking to one another, sharing conversations, thanking God for this day.
I said to myself: how can I not know what happiness is, or for that matter, the purpose of life, it's right in front of you.
Here was the thing my heart was looking for, that I felt the world should have more of.
Funny as I write this out, I was raised in an extended family, Russian-American, and every weekend, on Sundays, that's exactly what my family would do, all the relatives got together, ate at our home (my Grandfather and mother raised me) and the family drank some vodka, and ate sausage and bread, and cheeses, and talked until late afternoon, and us kids played, wherever. And sometimes I could hear the old 78-records playing. Hick, I didn't need to search for what happiness was, or the purpose of life, I had it in my pocket all the time, and I just forgot it was there.
Need I say more!

Thursday, 9 January 2014

The Revisionist Collection

Just when we thought we had caught up with Bob Dylan, he has gone and surprised us again. Most famously known as an influential and controversial musician for the last five decades, Dylan certainly never gets stuck in a rut. We first saw his ability to keep his audience on their toes when he ditched the protest songs and swapped his famous acoustic guitar for an electric one. This move bewildered a lot of his fans, but Dylan did not bat an eyelid. He had his eyes firmly fixed on the road ahead and never showed any sign of looking back.
Dylan has had a long and successful career in the music industry, writing over five hundred songs in his time, including 'Like a Rolling Stone', 'Knockin' on Heaven's Door' and 'Blowing in the Wind'. Instead of stepping quietly out of the spotlight, he carries on to shock us all.
Firstly, it was a surprise that Bob Dylan was an artist as well as a musician. He evidenced his talents and captivated the world with a collection called 'Drawn Blank Series'. This was a great success for the artist, therefore meaning that it was not the time to switch off his creative brain. Instead we are graced with a new collection; perhaps more controversial than his previous portfolios, but nevertheless exciting.
Revisionist Art
The new portfolio released this year, could not be any more far removed from the 'Drawn Blank Series'. In fact, one would think that it was a complete different artist altogether!
The new collection is a limited edition of hand signed silkscreens which are the covers of popular magazines taken from the last half a century. The concept behind this is intriguing. They are magazine covers which have escaped history's notice. They are from a world only slightly removed from our own, and are indicative of a place more honest about its corruption. According to the works of Bob Dylan, our history is not quite what we think it is.
Dylan's artwork shows his outstanding awareness of the everyday, illustrating the same drive for renewal which epitomised his legendary music career. In this portfolio of art he has transformed popular designs, reconsidering the syntax, graphics and chromatic content and then enlarging them onto silkscreened images.
No doubt that this collection will be as popular as his last, and there is no chance of his audience becoming bored. It is sensed that this will probably not be the last we hear from Bob Dylan, and perhaps there are more shocking things to come.

By Robert Harry Smith