Creating Your Sewing Sanctuary

Don't panic! Find a space of your very own. Nothing sparks your creativity as much as having a special place to sew with well organized sewing equipment stored within easy reach. Once you have found a place to sew, sewing will become more enjoyable.

Pick a space with several considerations in mind. Most importantly, your space must be accessible to electrical outlets and adequate lighting. In addition, think about the noise factor. Will the sound of your machine distract others? Will the sounds of others distract you?

To simplify the planning of your sewing area and to stimulate your own originality, here are some necessities for sewing conditions:

1. Both natural and artificial lighting is required. You should have an overhead light for basic lighting and a high intensity lamp for making small detailed work easier.

2. Convenient outlets for all your electrical equipment are obvious necessities. An extension cord must be available when needed.

3. You will require a cutting table. The ideal table should be accessible from all 4 sides, hard surfaced. Some may choose to use the floor or kitchen when cutting. Be sure that the surface is clean and flat.

4. Your sewing machine section must be wide enough to enable free movement of your fabric and room to place your utensils.

5. To provide proper back support during stitching, select a comfortable chair with a straight back.

6. To avoid wasting valuable time in searching for a needed item, organize a storage system of rollout drawers.

7. A box or tote bag to move equipment from one work area to another can be another time-saver.

8. A large storage area will be needed. This way, large pieces of fabric or incomplete projects can lie flat.

9. A pressing area near your machine and storage space is essential.

10. Supply closet space for hanging nearly finished projects and clothes that need repairing.

11. Have a full-length mirror near ample lighting for viewing your garments. The 3-way variety above the mirror is ideal, especially for fittings.

12. For a cheerful atmosphere, choose a soft color with bright accents.

13. To keep your lovely area neat, place a wastebasket under the machine area and near the cutting table.

Try to combine your wishes with the ideas mentioned above to create your very own sewing space. Whether it's just a corner of a room, your originality can make it a warm haven for producing several of fashionable masterpieces. Don't constraint your shopping to the sewing notions counters. Browse in every department to complete your dream of a sewing sanctuary. Anything to which you devote so much of your time deserves to have special considerations.

By Kashopae Evans

Tips For Plein Air Painting In The Snow

Have you ever thought about plein air painting in the snow? It might sound challenging, but it's actually very rewarding and enjoyable. When snow falls, you just have to go out and capture the wonderful effects it has on the land. Winter landscapes are often characterised by long, dark shadow and a variety of brilliant colours. A blanket of snow can work wonders in completely transforming a scene into something completely new. So here are some tips to help you capture some winter magic.

Combat the cold

It's very important to keep warm while you work in the cold. This is because you're going to be much more motivated, focused and productive when you're warm. To combat the cold, wear several layers of clothing and have a hot drink in a thermos flask with you. Don't expose your painting hand to the elements - wear a woollen sock on your painting hand. Thread the tail through the sock and hold the brush in your covered bare hand. Keep your feet warm by standing on a bare bit of ground or bring a mat with you and stand on that instead.

Avoid windy days

As mentioned previously, you can work your way round the cold. The most problematic part of winter weather is definitely the wind. Even in summer, the wind can be a hindrance to plein air painting. When it's winter, it's going to hinder your painting and it's going to make it seem a lot colder than what it actually is. It's best to avoid wind altogether if you can. If you do find yourself fighting the wind, use an umbrella to try to block it from your painting.

Take your time

Unfortunately, snow melts. Many places are lucky to get any snow at all and when they do, it seems to melt away as quickly as it came. However, this doesn't mean you should rush to capture a winter landscape even if you're racing against time. Take some time to appreciate the details and beauty of the winter landscape before you. Take your time when capturing these in your painting. An incomplete painting that you can finish at home is better than a rushed and messy one.

Take breaks

If you find that you can't handle the weather, simply take a break whenever you need to. Paint for 10-15 minutes or so then head back to your car, turn the engine on and warm yourself up for a bit. Have a hot drink and enjoy the break. Then head back and work on your painting for another 10-15 minutes and keep the cycle going. It might take you longer than if you were doing your painting in a single sitting, but it's better than getting overcome by the cold.

These are just a few basic tips to get you started on plein air painting in the snow. If you have any more tips you'd like to share, please do feel free to share them.

The Father of a King (2006-2012; Updated 2014)

When his first child of his second marriage-a boy, was old enough to attend college, he found him a private college to attend, and sent him to medical school, he was very proud he could do that with the money in which he sold his wife's condo for, to pay for the college tuition, although they had another home, the condo was an investment, which they rented out.

He, the father, felt as if he came from a line of kings. And his son played the game, of course he was. So for nearly two years he just paid the bills, the tuition- giving it to the boy, to pay for the schooling, and watched his investment money dwindle to zero.

Fine, his uncle brought up: how can my brother-in-law's boy, watch so much television in the afternoons, and then just fall to sleep watching it, wake up whenever, rest the rest of the afternoon, and just mosey about the house and cafe, and not have to study to pass those heavy-duty school tests, he must be a genus! I mean this was obvious to the uncle, who ate at their restaurant every day, but evidently not to the Father of a king, or the boy's family per se.

And it was at the end of that second year, the father got a notice that his son was not doing not so well in college, that he should make arrangements to find future schooling elsewhere, and perhaps a different career, in some other area than medical.

Well, this was a blow not only to the father, but the mother as well. But why was he doing so bad, was never made clear. Thus, he went to teller school, to become a bank teller, yes, a bank teller of all things-from a medical career to a bank teller, to a department store teller, to being unemployed, all in the following additional two years. But the kicker is this: he was doing badly because he was giving his tuition money to his girlfriend, he wasn't for the most part, attending college those last several months. Yes, I said girlfriend, who was also working on a professional career, can you beat that. Then when she graduated, she flew the coop, and went to another city, and the father of the king, and his wife, were stultified over the matter, but what can you do. Just go cook some more goulash, or chicken or whatever-get it off your mind it will madden you. Or it would me!

Now I got to backtrack a bit, before all this took place, this other situation took place.

The father of the king, inherited $40,000-dollars. And his daughter of his second family, was coming of age to attend college. But he had two other daughters from a previous marriage, both in their mid-twenties, both having finished college, one married, the other one had a good and steady job, - both like the father, thinking highbrow thoughts.

One wanted their father to put money down on a condo for her, the other wanted to pay up some bills- and they wanted the $40,000-dollars to do it with; the apple doesn't fall far from the cart, as they say, or tree: these two daughters were evidently princess' of a grandfather king.

"I'll look into it right away," he told both of them, and he did by bring the issue up to his present wife, he told her, "They're my children from before you; I'll attend to it myself."

(Now before I go any further, let me point out this: the house they now live in is hers, inherited from her family, the car he drives is hers from her work money, the land he will eventually sell, is the land she has inherited. So you see, what is his, is his, and what is hers is his... if not so it would seem so... )

And the two daughters, played the game, as if he came from a line of kings, and they too.

Then in a week he had signed the papers for the daughter's apartment-she per near hogtied him inside the lawyers office to make sure he signed on the dotted line; and he sent his other daughter the other $20,000-dollars- the very one that was rude to him when he had come visiting for a long spell, and was told often: "Are you still here?"

Nobody could tell him what to do, I mean nobody on either side of the globe, could tell the father of the king what to do.

He had the money, he bought their love.

"All right" said his other youngest daughter, the one from the present marriage, the daughter now ready to attend college: "which college are you expecting me to attend?" she asked the father. I mean all the money was gone.

He had sold some of his wife's land that she had inherited from her family, invested it into a café. He made a little profit from it. It was tight, but he figured he could afford to have her attend the area's National University, -it wasn't all that prestigious- but it would have to do.

It was good thinking, businesslike thinking for once, but she couldn't pass the tests either, so he put her into a private college-I hate to say it but I will, like brother like sister, although she had a little more stamina, and better grades, and fortitude.

And she played the game just like her two older half-sisters played, as if he came from a line of kings, of course he did.

And as the business flourished-the café business, he became boorish, ill-mannered, and he lost customers, he told his family and friends "Keep out of my business," no one on either side of the globe could tell him otherwise.

"All right, if that's the way you feel about it," they all said, complied, then inferred: to your own business. And they stopped eating at his café-wouldn't you?

Well, the kids never helped much-that same old thing: sister like brother, and there were two brothers, one younger one older, the younger one not yet ready for college, and perhaps will never have the chance to get ready, and if given the chance, what then? But that's yet to be seen, they have good godparents, with deep pockets, at least the younger boy does.

By Dennis Siluk Dr.h.c.

Black Chaos (Or, "The Meatpacker's Boy") 1967

A mind trying to recover from a night's drinking, the following morning can and more often than not is, a black chaos-naturally, not everybody understands this. I don't think my mother could. I lived on York Street, on the Eastside of St. Paul, Minnesota, it was 1967, late fall.

I heard the horn honk, it was my mother with her boyfriend, Earnest Brandt, they both worked at Swift's Meats, in South St. Paul, they came to pick me up, this being the 3rd month of my employment, working for them.

No sooner thought than done, I rolled out of my bed, in my studio apartment, flung my clothes off a hanger, in the closet, wiped my feet on a clean rug on an unusually dirty floor, and duplicated my morning a hundred times over, meaning, I would take the ride to work, I worked on the Hog-kill assembly line. My mother was a Meatpacker, she had worked there at Swift's going on twenty-two years, Earnest her boyfriend, thirty-years.

So I took the generously offed ride, in that, I had resolved I'd go to work today, not every day did I come to this decision, I think I missed as much work as I worked, in those days, and in particular at Swift's. I was nineteen at the time, and on the road to becoming a professional drinker, some call it: alcoholic. But I never did give it such a distaining name, back in those days.

Anyhow, it did take me a while to get to the car, I had to search for my apartment keys through a heap of clothes, as Ernie's face blazed with wrath, "Where is that son of yours," he asked my mother, Elsie. And he surely would have used stentorian tones, that vibrated up to my apartment had my mother not been a few feet from him, but he held his cool: not that I blame him.

I kind of new I was doomed today, I had missed a few days this week, it was now Friday, and to be frank and honest, every day I came in late, or not all, and with a handover, well there it is, there was nothing left to do but fire me.

The old man, that's what I called the Manager of our department, would be frustrated as he was always frustrated with me, or nearly always. And the Union, at my Mother's beck and call, and Ernie's at request, always came running to the rescue, and saved my job, three times previously, and this was only the end of the third month, going into the 4th month, god forbid, it be more. But I knew the Union would try to iron things out again, on their behalf, not on mine of course.

I worked hard, when I worked, and it was of course always with a hindered hangover, sometimes my teeth rattled and my head ached and sometimes the manager marveled at that I could keep up with the strong longtime Polish and Irish men on the line: but I was of Irish stock, and Russian stock, and Polish stock myself, hard muscled, strong willed, stubborn, and I could flip the back of those hogs as easily as any other longtime worker, and these hogs weighed 250 to 400 pounds each, and their backs which ended up being bacon, were heavy, perhaps a decent portion of that 400-pounds of hog, and I had to cut the back out of the hog, and flip it over, 180-degrees; and you do that for eight hours see how you feel: you have to lift them up from the iron-belt and turn them about, after four hours no simple task.

This morning the manager had called me into his office. There were several other people in there. I kind of expected it, "I can't take you anymore," said the Old Manager, "you're driving me crazy with your chaotic schedule of work, for the fourth and last time, you're fired, fired, you make me look bad in front of my peers, get out of my office."

I suppose my face was blank, back in those days, I showed little emotion, and I was half under the weather to speak of, recovering from the aftermath of a night's drunk and that so called black chaos inside the head was stirring, what else would you expect. I simple smiled, he was a good man, and I told myself: it's really long overdue. I never said anything but I knew he had a wife whom was bipolar, and once when he was in a daring mood, and asked me to take a minute to listen to him, so he could get me to work harder one day, he told me of all people, about his wife, indicating, I had problems, but so did he. I'm not sure where he was going with this, but I simply agreed to work harder that day, in a different department for him.

Anyhow, back to the manager's office, and ridding of his pest.

With a trembling finger, the old man pointed it at the door, a sign for me to hit the road. As he went "Ha! Ha!" laughing nearly madly.

For me, it was not the same snowstorm, as it was for him. I was young, and he was old. Now writing this out today, I know what it is to be old, and I know what it is to be youth. Like him, he knew both of them, back then. I had another forty-five years to go, but I did understand, I got his goat. And I knew he was putting on a demonstration, perhaps to show his strength, he was lenient with me in the past. And perchance he needed to reinforce to his subordinates, he was in charge.

Now again, my mother and Earnest reached out to come to my rescue, they were going to talk to the Union Representative.

"No," I told both of them, "I don't want the Union's hot-irons trying to fix things for me, I deserve what the old man is doing; matter of fact, he's just doing his job, and I should have been fired long ago."

Well, to be frank, they didn't argue the point.

By Dennis Siluk Dr.h.c.

Getting Those Creative Juices Flowing

Some artists can get into the zone whenever they want. They get their equipment ready and can paint just like that. They seem to be able to get their creative juices whenever it suits them. Most people are not as efficient as this. Most people need a little bit of extra help to get the juices flowing and the creativity going. Here are some tips that will help you get in the zone for a really productive period of painting.

Exercise

Scientists have concluded that doing a bit of exercise every now and then is a good way to boost creativity. Whether it's a strenuous gym session or a relaxing walk in the park, all physical activity can be good. Physical activity makes you think more flexibly and creatively. For it to work really effectively, you should be doing physical activity regularly so your body's used to it. If you only exercise once in a while, all the energy will go into the movement, and not to firing up those creative juices. Many artists, writers and other creative people strongly recommend any form of physical activity before starting work.

Brain training

Do a few brain training puzzles before you get started on your painting. The good thing about brain training activities is that they can be quite easy and quick, but they still get your brain going. There are loads of great puzzles to get your brain fired up - sudokus and crosswords are two of the most popular ones. Alternatively, you could try brain training exercises that are more related to the work you're about to do. Challenge yourself to do a quick painting in a limited amount of time or try painting something you've never painted before. The possibilities are endless!

Read

Reading can be a great way to boost creativity. All sorts of books can help you before you get started on your painting, from novels and autobiographies to factual books and reference guides. Think of the sort of book you find mentally stimulating, something that made you feel motivated and creative. Read a chapter or two before every painting session and, if you can, pick up some ideas while you read.

These are just a few ways you can boost your creativity. It's always good to do a warm-up session before you tackle a big creative project. Doing little things to boost your creativity can make your painting session much more interesting, manageable and enjoyable. Do you know of any other ways to boost creativity?

By Joanne Perkins

To Beat the Red!

To beat the Red!

(... or, 'The Loop!') 1992

In St. Paul, Minnesota or for that matter in other cities as well people are inclined to call a certain area of the city, in particular a busy area, such as downtown St. Paul, the Loop; it's kind of an area you circle around in a loop with you automobile. Drivers do it to look at girls, sell drugs, and check the inner city out. Girls walk the loop to be picked up, or drug dealers stand on corners to sell drugs, that kind of thing. And those not into that kind of stuff, mosey about it crisscrossing the streets to get to other parts of the city, to and fro.

In St. Paul there was such a thing, location, in downtown, it circled around a number of bars, and Seventh Street, and a bus station, a few show houses, a parking lot, the loop had just about everything a night shopper or night adventurist would be seeking.

Hence, when you stopped at the red light at 'Wabasha and Seventh,' you were facing a stop-and-go-light, in this case I had stopped on the red light. Sometimes when I'd stop, the light would turn nearly instantly Green to Go! And of course you'd catch now and then a pedestrian off-guard. And they'd run to cross to get to the other side, lest they get jammed in by the oncoming, slough of cars. This of course being the logical thing to do. While others seemed to have foresight, and be waiting at the corner for the light to turn Green for them to go, and not rushing anything, so as not to be caught in-between.

Sometimes you'd even see people eating this and that as they were moseying across the street on a yellow, and then turn green kind of jumping the gun as they say, then rushing to escape the rush of cars.

So you see, crossing or crisscrossing the streets at a loop, has many variables. And usually when I'd blow the horn, they'd wake up, if half asleep, run to the other side to escape the approaching cars, if indeed this was the case at hand. It's kind of like knowing your rights, and not wanting the other person to violate them, that is to say, if you had, or have the right-of-way.

People around this loop, back in the day-or twenty-two years ago, when this mishap took place, the people were like flocks of quails, and when they'd reach the other side sometimes you'd see a face or two among the other faces, in triumph, especially if they were trying to beat the odds, rushing on a yellow light to join the flock, before the red appeared. And god-forbid it be rush-hour and you find someone playing the suicide game: starting out on a yellow, 'to beat the red!'

This old drunk, the man who stepped off the corner of the sidewalk, who had walked down from a local bar, from up the block, stepped out on a yellow light, unknowingly I believe; looking ahead in his hazy drunken stumper, seeing other folks across the two way, four-lane crossing, and seeing them folks stepping up from a green light, that now was yellow, but perhaps was green when he first saw it-half drunk I should say-it was late Friday afternoon, close to rush-hour, when everyone wants to get home for the weekend, take off early from work. No exception, me too.

He fiddled about in his pocket, I believe he had a pint of whiskey he was feeling for, and to make sure it was still there, what else could it be?

And as in inferred, he looked pretty looped himself, now in the middle of the loop. I told myself as the streetlight as it turned red for him, 'woops, now what?' It was green for the cars, red for the walkway.

There must have been three dozen cars on both sides of the streets, ready to go West from East, it was a four-lane street, two west, two east, I was west, and there were cars to my left, and in front of me, and the drunk was nearly in the middle of the two lanes, some thirty-five feet in front of me, going south from north, and a dozen cars on my side hit their accelerator, steering right towards the drunk, perhaps sixty-years old. What was on his mind? What was the matter with him? He stopped as the cars approached him, was it physical tiredness? I was inclined to stop, he was to my right, and cars now passing me, and now him, cars in front of me and in back of me, he was unsure of his next move, and the cars were unsure of his next move as I was also unsure of his next move and so I stopped right in the middle of the intersection, as now cars circle around me: and the car in back of me stopped also, and the car in back of him, maneuvered around both of us, not knowing why we had stopped, he didn't see the old man, the old man smiled at me, put out his thumb as if in triumph, and as he took a step forward, that car cut his thumb into shreds, with his side mirror, and now the old man froze in place, looking at what was left of his thumb, gushing red, spurting up blood like a flood, or gusher, or what was left of it; had a dog been nearby, he'd had had himself a little jump for an afternoon snack. It was being held by a thread, no more.

Now I drove by him, I knew he'd not move, he was in some kind of monothematic moment: what just happened?

As I drove down to the next stop-and-go-light, I heard a policeman's whistle from behind me... , the rest I assumed, an ambulance would soon be forth coming.

By Dennis Siluk Dr.h.c.

How To Configure Your Reception Area

It's extremely important for your event to have an ease of traffic flow through your event timeline. From your grand entrance, to the last dance, you won't want to have to snake your way through tables, (or in the case of a very large reception) travel back and forth across a huge room.

1. Match your configuration to your timeline:

For example:

Looking in from the main entrance: If your cake is located in the far left corner of the venue, your wedding party table is right wall center, and the dance floor is straight ahead toward the rear wall, you would be best served by cutting your cake prior to your first dances. It allows you to flow back toward your table (if needed) as you cycle through your timeline. This gives the venue staff ample time to portion the cake for your guests while you dance, and toss the bouquet/garter, and puts you on the dance floor when open dancing begins.

Some venues will have a tendency to place the DJ in a corner. In the worst cases we have seen, placement of 20-30 feet from the dance floor with guest tables between! Often this terrible configuration is done in an effort to make the dance floor the center of attention, and while I agree with the concept, the execution makes for an uncomfortable evening for the guests at those tables.

Corner placement of the DJ is fine, assuming that the placement allows the sound to radiate evenly through the room, and has a balanced and primary focus on the dance floor. If this cannot be achieved naturally, then consider an extended sound set up. Extended sound set ups place additional speakers (with separate volume control) strategically in the room.

2. NEVER PLACE TABLES BETWEEN THE DJ AND THE DANCE FLOOR.

They say that typing in all caps is the equivalent of yelling... Well maybe I am, but that is only because of how important it is to never do this. Never allow your venue to do this. Never allow your planner to do this. Did I say NEVER?

While this won't affect the reception during dinner, it will when the party starts. Professional speakers put out anywhere from 200-1000 watts RMS of sound with SPL's of 90 (a jack hammer)-136 (rock concert) db. That's technical jargon for "the poor folks sitting at these tables are at risk for an unpleasant night at best, and hearing loss at worst."

Utilizing these two tips will help you to insure a fun and memorable evening! For more ideas and advice on planning, visit our website, and share your comments and questions with us!

By Phil A Tucker

Musical Performances at Local Theaters

For most people, theaters are places to watch the latest film releases. And with so many new films coming out on a monthly basis, there's always something new to watch during your free time on the weekends! However, sometimes it's fun to watch live people perform on stage. What different types of live performances can you see at a local performing arts venue?
Broadway
Broadway performances use music, dancing, and theatrical acting to tell a story. Beginning in a theater located on Broadway Street in New York City, Broadway has become an intricate part of the American culture since the mid-19th century.
Some of the most popular Broadway plays have been The Phantom of the Opera, Cats, The Lion King, Wicked, and Les Miserables. In addition to being performed on stage numerous times, these shows have also been made into feature-length films.
Ballet
Ballet uses music, dance and facial expression to convey emotion and tell a story. This form of entertainment has been around since the 15th century. It first became popular in Italy and gradually made its way throughout Europe. In the beginning, ballet was a form of entertainment provided only for rich noblemen and noblewomen.
Towards the late-19th century, ballet settled in Russia. Some of the most popular ballets like The Nutcracker, The Sleeping Beauty, and Swan Lake were created during this time. These ballets continue to be performed in theaters all over the world.
Musical Performances
From individual instrumental performances to marching bands or large symphonies, there are a wide variety of ways to enjoy beautiful, inspiring music. Performing arts theaters often host local artists as well as world-renowned performers throughout the year. You can usually find schedules and purchase tickets for performances online.
Advantages to Attending Musical Performances
Individual artist performances inspire others to learn and enjoy music. Whether you enjoy the classical sounds of piano, the airy sound of a wind instrument, or the percussive beat of drums, taking music lessons empowers an individual to enjoy music at any time!
Many instruments can be combined to make a beautiful medley of sound. From a string quartet to the soaring sounds of a symphony, the many instruments combine to create a beautiful world of sound. A marching band combines the sounds of wind and brass along with percussion to lift the spirits and stir patriotic emotions.
Even larger instruments can be combined together. Piano players who enjoy making music together can enjoy piano duets and even quartets on two pianos. Playing the two instruments together is quite a rhythmic feat. And watching a piano quartet play is amazing!
Vocal Performances
From soloists to barbershop quartets to large choirs, the voice is a beautiful instrument. Sopranos, altos, tenors and basses combine together to create music. Some use songs with words and instrumental accompaniment, while others use vocal sounds to create haunting melodies without any words.
Just the Beginning...
Ballet, Broadway, and musical performances all open the door for wonderful musical performances. And at these same theaters you can also experience plays, speeches, and a wide variety of other non-musical performances too.

By Anders Abadie

Why the iPod Is A Horrible Idea for Wedding Reception Music

So you are on a tight wedding budget, and wondering where you can cut a few corners. Unfortunately, many couples have been wrongly advised to skimp on the reception entertainment.

In recent years, there have been several articles about how the technology of the day will allow you to "self-serve" your reception music via the iPod, as opposed to hiring a DJ. While the concept is interesting, and is initially attractive from a purely economic standpoint, there are several aspects of doing this that are unrealistic, inconvenient, inefficient, and cost far more than you think. Let's look at the facts of most receptions and see why this idea has no legs.

RECEPTION VENUE HOUSE SOUND

The typical reception venue's house sound system will consist of ceiling mount speakers. While these speakers are adequate for speeches and dinner music, they lack the frequency range, power, and low-end response for a party. Would you dance to an overhead speaker with less frequency response than a good car stereo? To overcome this issue, the option would be to rent a professional sound system at a cost of $400-$500. Keep in mind that this price range typically does not include delivery, set up, break down, or return of the equipment to the rental facility. Of course, you could do all that yourself, or get Uncle John to do it, but isn't this supposed to be a celebration for you and your guests to enjoy?

DJ VERSUS iPod... The rest of the story.

Aside from the sound system, there is dance lighting, emcee duties, planning assistance, music library, and the rarely understood talent of "reading a crowd". None of these things can be provided by an iPod.

Leaving the emcee duties to a family member may sound like a good idea, but do you want Uncle John working at the reception? Your family members and friends are there to celebrate with you. This also applies to the music flow. Will you simply create a playlist and let it go for 4-5 hours? What about timing? Will you spend hours calculating the timing of the music? If not, will Uncle John have double duty? What about requests? Will the iPod look at your dance floor, see that it is empty, and do something to fill it?

Good Disc Jockeys will spend ample time consulting with you on the flow and musical choices for your reception, and use his or her professional experience to properly announce your grand entrance, and the events of your timeline. They will also read your crowd, co-ordinate with the venue staff, photographers, and other vendors to make sure that everyone is in their proper place at the proper time.

Do yourself a favor the next time you read an article that says you should do it yourself... Hire a professional DJ within your budget. Expect to spend at least $700 on a quality wedding DJ service, and avoid DJ brokerage services. Statistics show that nearly 80% of people remember the entertainment more than any other aspect of the reception. Save the iPod for personal use.

By Phil A Tucker 

The Truth About The Michael Jackson Hologram Show - 2014 Billboard Awards

It was June 25th 2009 when Michael Jackson aka the king of pop at 50 years old came to an untimely end, just before the O2 comeback tour 'This Is It.' Indeed there has been plentiful publication out there covering the suspicious circumstances surrounding Michael's death. Whether it is speculation or fact you can draw your own conclusions.

It has to be said however, some pretty strange things happened before and after his death. Before the embarkation of the O2 tour his health came into question; whether or not he would be able to get through the gruelling schedule and handle the pressures...

At a financial low, one of his family members made the comment that he was worth more dead than alive. A comment like that is bound arouse suspicion. Then there was the apparent major 'slip up' by his brother Jermaine during an interview rousing more suspicion suggesting that Michael was still alive and had been secretly flown out of the country... Like I said I will leave you to draw your own conclusions. Having said that, will we ever know?

One thing for sure Michael had been quite vocal, expressing dissatisfaction over the 'evils of the music industry.' Then it looked like he was planning going on talks to expose the elite hidden powers that be with their conspiracies planned to achieve global domination...

Fast forward to recent times, last Sunday we had the 2014 Billboard Awards staged at Las Vegas. Indeed, the king of pop was back, this time in holographic form. The 'evils of the music industry' were demonstrated again by exploiting Michael's image. Still Michael hasn't got away from the elite hidden powers that be controlled music industry and certain connected individuals he so loathed.

Ironically, the song performed was 'Slave to Rhythm' taken from the posthumous album entitled 'Xscape.' Ironic because it was the music industry that had directly and indirectly sealed his inescapable fate.

The performance

On watching the performance I was truly taken aback. The performance had all the hallmarks of the elite hidden powers that be, indicating they had staged it. It starts off with a row of policemen fully clad in riot gear. With helicopters heard and spotlights giving us the impression of an oppressive police state scenario, there's no doubt that this is typical of other elite controlled music industry ideas. It has been the fashion for while.

Then, centre stage, surrounding Michael's holographic projection sat at a throne is a number of occult symbols signifying the control of the elite hidden powers that be. I found the whole thing very strange: Then Michael's ghost figure gets up and starts singing and dancing...

When Michael sits down on the throne again the audience start to clap and cheer. Okay, the audience are aware that Michael died some years ago and that they're expressing their appreciation to a ghost, but I wondered how many knew about the hidden hand controlling the settings and their awful planned agenda.

By Paul A Philip

Getting Started As a Magician

It is very difficult to be a magician, as it is probably one of the most difficult arts to practice and master. However, once you reach the point where you believe you've mastered some amazing stunts, you might want to gain notoriety as a magician. Let us have a brief guideline on how to get started as an up and coming magician.

We have presumed that the person in question already has some skills outside of coin and card tricks in order to get started.

Every magician has his/her own special abilities and qualities. It is a humble request to every magician not to try to copy other famous magicians because in this process you may lose your originality. It is important to learn from some of these famous magicians but one should not try to copy them, as each one of them is different in his/her own ways.

Take for example Harry Houdini and Dynamo. Both these magicians are extremely skilful and yet both have diametrically opposite styles. Houdini was more of an over the top magician who loved being flashy and extravagant. Dynamo on the other hand is like a silent killer, who lets his actions speak more than words. It is important for a budding magician to retain his/her persona and act accordingly.

The budding magician must take up small shows at birthdays and other functions in order to garner some kind of confidence. The budding magician should never shy away from these shows, as some magicians confront their egos while doing such shows. It is important to remember that a sequential manner would benefit in the longer term. Hence, these small shows should be used as a confidence building measure. In addition, if one feels that he/she has performed a mistake, try to laugh it out and show that it was meant to be one.

Last but not the least; the magician should upload his/her magic videos on various media sites like YouTube. The magician should then do a proper marketing of this video and follow it up with other videos too. These videos, when will performed and unique, will make you popular among. If you are popular on internet then it will not take a long time for you to be popular as a magician too.

Social media and practice in front of an audience has helped many a magician get started in there careers. If you're really hard up for gigs, you can even promise to do a free one to start, and then film that show for YouTube to show how you are in front of an audience.

By James J Anthony

How to Prepare for Any Event

It's quite rare that you can write and read a one size fits all guide which will work for (almost) any situation within a particular field. When it comes to event furniture hire and planning though, there's a basic system you will always need to follow in order to make sure everything goes perfectly to plan.

• Setting the date

You will be working around this for everything you do next, so it's vital that you get this sorted in advance. Make sure it's something you can do, and one which gives you enough time to plan the rest of the event and organise event furniture hire and the like. While it might be tempting to change the date so that everyone can come, you'll find that this is rarely - if ever - the case anyway.

Most events can be planned and organised in two weeks, but longer is always preferable.

• Sort the guest list

This is another important factor which will help you to determine how big a venue you will need and how much event furniture hire you will need to do. Work out just who you'll be inviting, and remember that around 20% of your invitees are likely to turn down your invitation due to other commitments.

• The venue

Now you know how many people you will be asking to attend, you can look for venues large enough to host this number. Always pick somewhere which can cope with the maximum you'll be having (as well as few extra places in case you've forgotten anyone, or someone wants to take a plus one along with them.

The venue should be easy to reach. You might have guests who plan to walk, drive, or to take public transport, so make sure all of them will have a way of attending. No parking can be a real parking, but if there's a public car park nearby, provide instructions on how to get from there to the venue on foot.

• Send the invites

Now everything is set in stone, it's time to let your guests know. Give them as much notice as you can, so this can be done as soon as you have booked the venue. Ask whether there are any specific dietary requirements which will need to be catered for, and provide contact details so you can answer any questions which may arise.

• Furniture hire

Now you have an empty room, and people who will be in attendance. Make sure they're not making a wasted trip by filling that room and preparing your event. You're likely to need an event furniture hire company to provide seating and tables, but the needs will differ from event from event. If you're not sure what you need or what would work well, speak to the event furniture hire company themselves who will be able to give you the best advice possible (after all, they're likely to have done this before).

• Catering

If your event requires food and drink, now is the time to organise that particular element. This might be a sit down meal or it could be a just light refreshments like tea and biscuits.

By George Soderburg